Wednesday, July 28, 2010

Two Worlds

Separate Kingdoms creates two distinct worlds between father and son, both through different narrative styles and the visual use of text on the page. The story centers around Colt, a factory worker who has recently lost his thumbs in what may or may not have been an accident at work. While the left-hand column of the story describes the moment-to-moment sufferings of the recently-maimed Colt, only his son Jack’s perspective is told in the first person. This textual strategy highlights the difficulty with which the reader, and Colt’s family, experience in trying to understand the workings of Colt’s mind. We relate to Jack because the author allows us access to his direct thoughts. Colt, on the other hand, is always slightly removed, unable to directly reveal his true feelings to his family or to those reading his story.
Author Valerie Laken uses several instances of onomatopoeia to express emotion, in the case of Colt, and to create a sense of distance between Colt and Jack. When frustrated with a lawyer who suspects Colt may have willingly sacrificed his thumbs to the machine, the injured man shouts “Gaaah!” and then “Zeeeeeeeeeshandagahhh!” These nonsense sounds are the closest Colt ever comes to expressing his true feelings. This device is effectively used by Laken to articulate the frustration, desperation, fear and horror that Colt cannot put into words. In Jack’s world, onomatopoeia is used to create a wall of protective sound between him and his father, and between him and his own feelings about what happened. Laken writes pages of “PAT pater pater pater Pat pater pater pater Pat” in an effort to help Jack disappear into the protective rythms of his drumsticks. But even this repetitive beat on his thigh is not enough to distract or drown out the silent noise of the house.
The separate worlds of Colt and Jack are connected by shared sentences that run across both columns of the page. These instances provide readers with a visual cue that the two worlds are colliding. Colt yells “Take it! Take the goddamn money and the little drummer boy and drive yourselves straight to paradise, set yourselves up! I’m fine right here.” This line is shared by both columns, indicating that it is heard by Jack. At this point in the story, it has been established that Jack is in a separate part of the house, so it becomes clear just how loud Colt would have to yell in order to be heard by Jack. Similarly, the inclusion of “Duh. Guh. Duh Guh Duh Guh Duh Guh Duh Guh” in Colt’s column indicates that he can hear Jack playing the drums. The fact that this line begins with periods and then seems to escalate to faster and faster drum beats, allows the reader to interpret Colt’s reaction to Jack’s playing – he doesn’t like it.
In her story Separate Kingdoms, author Valerie Laken effectively creates two separate worlds within one house through her use of onomatopoeia and shared lines. The reader is able to step into this world while listening to the same soundtrack as the characters. The infrequency with which the two worlds collide, indicated by connected lines on the page, clearly marks the separation between father and son.

Thursday, July 22, 2010

Laken

Tom Voss
Notes
7/22/10

Ducker Notes
• The relationship between the formal, visual aspects of topography and the production of meaning in a printed text is a main concern as a book artist
• Visual Images: shapes, size, and placement of letters on the pages contribute to the message being sent.
• These messages can’t be spoken in language, rather through visual choices
• Visual characteristics of typefaces and the effect of the arrangement of words on a page
• Language has an approximate relation to experience and that the account of an experience may be constructed along several different linguistic lines.

5 Visual aspects of Laken
• The first Visual Aspect I noticed is the title of the piece “SEPARATE KINGDOMS”. The title is in all capitals. To me this says that the title is important to the story.
• Under the title there is a dotted line, this line separates the title from the author. I interpret that this could also have something to do with the title, seeing as it separates the title from the author.
• The authors name is also in all capital letters, but it is in a smaller font than the main title.
• The piece is arranged in a almost news paper arrangement with a gap running down the middle, separating the writing into two columns.
• On page 6 the author connects the two columns
• Also on page 6 one of the columns consists of two words Guh and Duh
• These words start out with the first letters capital with a period then the author removes the period, and finally into all lower case letter with no period.
• On page 7 the whole right column is the beat from the last page.
• On page 8 we see the rhythm patter come to an end about half way through the right column ending the way it began.





Purpose

I believe that Lakens point was to show the reader how one tragic event can pull a family apart, and once that disconnect has happened it is even harder to pull it back together. The author wants the reader to feel the resent of the father, the confusion of the mother, and the separation Jack had from the family during this crisis. I also feel that the author wants us to know the importance of communication and how hard it can be within a family going through troubled times. After reading this I feel Lankens purpose is that family is important, but can be torn apart without communication.

Visual choices

For her visual choices Laken chooses to use a two perspective approach hence the two columns; from the prospective of the father and the son. Where it gets interesting is that both columns are happening at the same time. She also chooses to cross a few sentences over into the opposing column to let the reader know that the even that occurring is interrupting the other.

Thursday, July 8, 2010

Old and New Controlling Purpose

Old

In the story “Shame and Forgetting in the Information Age” by Charles Baxter he leads the reader through why he believes that the over saturation of information we get today has a huge effect on our memory. The epigraph of this story, “we have transformed information into a form of garbage” by Neil Postman, lets us know right away how technology has changed who we are and how we are shaped by the Information age. When we are constantly bombarded with information we lose a lot of our own memories and this sometimes can result in shame. Baxter has chosen to break his piece into five parts to get his point across.


New

In the story “Shame and Forgetting in the Information Age” by Charles Baxter leads the reader through why he believes that the over saturation of information we get today has a huge effect on our memory and how technology has taken the place of our own memories. “There is more information all the time. No one can absorb all the information. No one wants to. The day ends, not with physical exhaustion, but with data-fatigue or data-nausea.”(Baxter Pg.146) When we are constantly bombarded with information we lose a lot of our own memories and this sometimes can result in shame.

Tuesday, July 6, 2010

Shame and Forgetting Draft

In the story “Shame and Forgetting in the Information Age” by Charles Baxter he leads the reader through why he believes that the over saturation of information we get today has a huge effect on our memory. The epigraph of this story, “we have transformed information into a form of garbage” by Neil Postman, lets us know right away how technology has changed who we are and how we are shaped by the Information age. When we are constantly bombarded with information we lose a lot of our own memories and this sometimes can result in shame. Baxter has chosen to break his piece into five parts to get his point across.
In part one, Baxter takes a more personal approach and tells us a story about his brother. His brother Tom passed away at the age of fifty-nine from a heart attack. His brother’s life, to say the least, was in shambles. Besides his health problems his financial situation was a mess, but even though the chips were stacked against him he was cheerful and upbeat. “Every week over the phone I’d ask him how he was, and he’d say, “Not too bad for an old man!” Tom was an outcast of the information age.”(Baxter Pg.141)
Tom had trouble in school because he had a problem learning printed information. This was before they coined the term “learning disability.” Reading and writing gave him troubles and before he knew it he was thrown into the computer age. “He had a computer and claimed he didn’t know how to use it. For years, long after I had begged him to stop, he would introduce himself exuberantly as “the dumb brother.”I was stricken by the phrase, made heart-sick by it, and by his efforts to turn this source of shame into an identifying badge.”(Baxter Pg. 141) This is a great example of how the Saturation of technology can cause people to feel left out, and even feeling of stupidity.
One of the other things that Baxter tries to get across to the reader is how technology is taking the place of our own memories. “”Your memory, can now in casual conversations refer to your computer’s memory rather than your own. This usage signals a conflation in the way that we think about the data we remember, as opposed to what we would call “our memories.””(Baxter Pg.145) Baxter knows that people don’t really refer to their own memories as data, he just wants to make the point that the two memories, data memory and information data, get all crossed in our minds. When this happens we can lose things that we want to remember opposed to the useless data that we confront in everyday life.
“The technology of data processing has increased exponentially year by year, resulting in high-speed forms of planned obsolescence in software programs (Windows, ect.) and in the computers themselves. The only frustrating limit to this technology, one CEO told me, is the speed of light, which is now too slow.”(Baxter Pg. 145) I believe Baxter is trying to show the reader how technology today will never be enough. It seems that there will be an ever turning, money making cycle of information technology that we will have to learn to live. One of the main things I think is that we are slaves to this technology. There is no way around it. If you want to go to college you need to be very proficient on how to use a computer, if not, you will struggle. After college you have to still know these skills for your job, if you don’t, this will cause your employer to spend more money on you to train you, thus making you less employable. Baxter has a good point after you have read what he has to say, and then you go back to the epigraph “We have transformed information into a form of garbage.” I believe this is true, and will be true for years to come.

Thursday, July 1, 2010

Intro

In the story "Shame and Forgetting in the Information age" by Charles Baxter, he tries to tell us that memories are important to us good or bad, but we need to be able to let go of some of them. Also Baxter wants us to realize that with all the technology today we become overexposed to information that can effect our memories that can cause us shame. the final and most important part that Baxter conveys to the reader is that along with all the technologies we have, there are different types of memories that a person can have; information memory verses experience memory. The information memory is the one that we need to watch out for due to the overload of information we get today. Finally our experience memory is what shapes us as people, and makes use who we are today.



Quotes used

Shame and technology:
"He was among the ranks of those who cannot easily process written information, the data-disabled" pg.142

Memories and Shame:

"His father-his and mine-died in 1948 when Tom was nine years old, and at the funeral some man, some friend of the family, told Tom, "you're not going to cry, are you?" it wasn't a question it was an order. "he told me to stuff it" Tom said later. And stuff it he did, with food." pg.142

Technology vs Memory

"your memory can now in casual conversation refer to your computers memory rather than your own." pg 145